Breaking Barriers: International Performing Arts Consortium Empowers Youth with ODC-Taipei Ballet Collaboration

By: Joshua Finley

December 3, 2024

The International Performing Arts Consortium (IPAC), a non-profit organization in Taiwan championing the global theater and performing arts community, is set to make waves with its latest endeavor: an international collaboration bringing San Francisco’s acclaimed ODC dancers together with the Taipei Royal Ballet and Taiwanese youth performers. Under the leadership of Dr. Sophia Huang, this project underscores IPAC’s mission of promoting diversity, unity, and cross-border collaboration in the performing arts.

At the heart of this initiative lies the classical dance production, The Velveteen Rabbit. The beloved tale, known for its emotional depth and captivating choreography, will serve as a platform for cultural exchange and artistic growth. By facilitating collaboration between seasoned international professionals and local youth artists, IPAC redefines the possibilities of global artistic integration.

IPAC’s International Collaboration Initiative serves as a cornerstone of its mission to celebrate the world’s diverse performing arts traditions. This initiative connects established international artists with emerging talents, fostering cultural exchange and removing barriers often preventing young artists from accessing international stages. The collaboration between ODC and the Taipei Royal Ballet marks a significant milestone in this vision.

By inviting ODC dancers to Taiwan, IPAC has created a unique opportunity for Taiwanese youth to work alongside globally renowned professionals. These young performers will refine their skills and gain invaluable experience participating in a production staged at the National Center for the Performing Arts in Taiwan—a venue often considered out of reach for many aspiring artists.

“This marks the beginning of our journey to eliminate barriers for young artists, embrace diversity, and foster an international space for collaboration in the performing arts,” said Dr. Sophia Huang, founder and leader of IPAC. “We aim to empower youth to work together across borders, nurturing their talents globally.”

The collaboration offers Taiwanese youth an unprecedented opportunity to immerse themselves in a professional production alongside ODC dancers, whose expertise and innovation are celebrated worldwide. From rigorous rehearsals to live performances, the youth dancers will gain a firsthand understanding of the dedication and artistry required to excel in the performing arts.

Many young artists dream of performing on an international stage but rarely achieve due to logistical, financial, and institutional barriers. By bridging this gap, IPAC empowers these performers and enriches the cultural landscape, fostering mutual respect and understanding among diverse artistic traditions.

At the center of this initiative is The Velveteen Rabbit, a production that has captivated audiences with its timeless storytelling and enchanting choreography. Known for its universal themes of love, growth, and self-discovery, the piece serves as a fitting metaphor for the young performers’ transformative journey.

This collaboration also marks the first time ODC’s celebrated dancers will tour Taiwan, adding an international dimension to the production. This represents a rare opportunity for local audiences to witness a fusion of Taiwanese and global artistry on one stage.

IPAC’s efforts reflect a broader commitment to promoting unity through cultural exchange. By breaking down barriers and creating spaces where artists from different backgrounds can collaborate, the organization demonstrates the power of art to transcend boundaries and bring people together.

The partnership with the Taipei Royal Ballet further highlights the importance of supporting local institutions. By engaging with young dancers and fostering their growth, IPAC ensures that Taiwan’s rich artistic traditions thrive while remaining open to global influences.

As IPAC embarks on this ambitious journey, it aims to establish a lasting legacy of artistic collaboration. The organization envisions a future where young artists worldwide can connect, learn, and create together, irrespective of geographical or cultural divides.

“This initiative is more than a single performance,” emphasized Dr. Huang. “It’s about building lasting connections that will shape the future of performing arts. We’re laying the groundwork for a more inclusive and interconnected artistic community by nurturing young talent and fostering cultural exchange.”

The ODC-Taipei Royal Ballet collaboration exemplifies IPAC’s dedication to fostering innovation and inclusivity in the performing arts. As the organization continues to grow, it remains steadfast in its commitment to creating opportunities for artists of all backgrounds.

With The Velveteen Rabbit as its inaugural project under the International Collaboration Initiative, IPAC is setting the stage for a new era of global artistic exchange—one in which diversity, unity, and creativity take center stage.

For more information, visit the International Performing Arts Consortium website, learn about ODC Dance Company, and follow the Taipei Royal Ballet on Facebook.

Published by Charlie N.

Breaking New Ground: AI-powered multimedia system that removes the block and bridges the world theater artistry. 

Today, the International Performing Arts Consortium (IPAC), led by Dr. Sophia Huang, has announced a groundbreaking new AI-based subtitle technology designed to remove language and cultural barriers in live theater. This new system, developed by Huang and her team, delivers real-time, context-sensitive subtitles for diverse audiences, from classic to contemporary performances.

Dr. Huang’s vision to integrate AI in theater focuses on amplifying accessibility by addressing the language and cultural barriers that often limit audience reach. “We believe technology can unlock new pathways in the arts, opening live performances to audiences who would otherwise miss these experiences,” Huang said.

With AI technology that incorporates the context and subtleties of live dialogue, IPAC’s subtitle team offers a sophisticated translation production system that adapts dynamically to each performance. This approach marks a shift from traditional subtitle systems, which typically remain static and detached from the unfolding narrative. IPAC’s system engages with live theater on a new level, offering audiences seamless, culturally resonant translations that enhance understanding and immersion.

Expanding Theaters' Reach in a Multilingual World

IPAC collaborates with theaters across the world, helping them utilize the subtitle technology within their live shows. From large venues to independent theaters, IPAC’s solution allows each performance to speak directly to a broader, more diverse audience, strengthening cultural inclusivity in the arts. The team’s system reflects not just the text but the performance’s context and emotion, offering a rich experience that extends the artistry of each show.

This technology is especially valuable in today’s increasingly globalized arts scene, where productions often draw interest from international audiences. By bridging linguistic divides, IPAC enables theaters to reach a growing audience base, expanding their mission to inspire and connect across cultures.

A New Standard for Inclusion in the Arts

Through its specialized storytelling subtitle team, IPAC is setting a new standard for accessibility in performing arts. This technology-driven approach reinforces Dr. Huang’s broader mission: to foster an environment where the performing arts are inclusive, allowing for a more connected and empathetic world. IPAC's subtitle system is about more than translation—it’s a commitment to universal engagement in the arts.

With Dr. Huang's leadership, the International Performing Arts Consortium is challenging traditional limits in theater accessibility, inspiring theaters to welcome a world of new audiences and making cultural exchange a natural part of every performance.

日本經典舞台劇《蒲田行進曲完結篇：銀之死》首度登台

由日本戲劇界重量級導演錦織一清執導的經典現代戲劇《蒲田進行曲完結篇：銀之死》，將於2025年10月首次在高雄登場，帶給觀眾一場深刻震撼心靈的藝術饗宴。這場演出不僅是對劇迷的重磅回饋，更將成為十月藝文界增添火花！

作為五、六年級台灣觀眾熟知的日本超級偶像以及日本戲劇界的知名導演，錦織一清以其獨特的戲劇視角和創意聞名，擁有超過40年的豐富舞台經驗。他的作品橫跨戲劇、舞台及電視，並以深刻刻畫人性、滿溢感動的表演風格，在國際間享譽盛名。

《蒲田進行曲完結篇～銀之死》以電影動作片明星生活為背景，講述了人性中的親情羈絆與堅韌。劇中透過情節緊湊的故事和深刻的角色描寫，探討了親人之間的犧牲與掙扎。2023年與 2024年的日本東京公演震撼了所有日本觀眾。

此次演出，由錦織一清大師親自執導，並將2023年以及 2024年的日本東京公演的原班人馬（包括動作明星春田純一、日本國寶級演員崛田晉三、大下順子、ＪＡＣ日本動作明星等）帶到台灣。為了提升觀眾體驗，本次演出結合了百老匯AR/VR舞台科技，攜手台灣和美國的多媒體創作團隊，透過最先進的視覺技術，克服語言障礙為台灣觀眾呈現突破傳統的戲劇體驗，帶來視聽震撼。

這場演出由社團法人國際舞台文化表演藝術協會主辦，協會理事長黃舒郁表示：「我們非常期待將台灣的多媒體創作實力與日本表演藝術完美結合。透過台灣頂尖的舞台設施，與日本及美國的創作團隊攜手合作，我們將為台灣觀眾呈現前所未有的舞台視覺體驗，激盪出獨特的火花。」

《蒲田進行曲完結篇：銀之死》即將在台灣觀眾面前上演，這部經典之作必將為台灣藝文界增添燦爛火花，不容錯過。

Japanese Classic Stage Play "Kamata March Finale: The Death of Gin" Debuts in Taiwan

The classic modern drama Kamata March Finale: The Death of Gin, directed by the legendary Japanese theater director Kazukiyo Nishikori, will premiere in Kaohsiung in October 2025, bringing audiences a profoundly soul-stirring artistic feast. 

This performance is not only a significant return for theater fans but will also add sparks to the October arts scene!

Known to Taiwanese audiences born in the 1960s and 1970s as a Japanese super idol and a renowned director in the Japanese theater scene, Kazukiyo Nishikori is famous for his unique dramatic perspective and creativity, boasting over 40 years of rich stage experience. His works span drama, stage, and television, and he is internationally acclaimed for his profound depictions of human nature and emotionally moving performance style.

Kamata March Finale: The Death of Gin is set against the backdrop of an action movie star's life, depicting the bonds and resilience of family ties in human nature. Through a tightly woven storyline and profound character portrayals, the play explores the sacrifices and struggles between family members. The Tokyo performances in 2023 and 2024 profoundly impacted all Japanese audiences.

This time, the performance is personally directed by Master Kazukiyo Nishikiori, bringing the original cast from the 2023 and 2024 Tokyo performances—including action star Junichi Haruta, Japanese national treasure actors Shinzo Hotta, Junko Ooshita, JAC Japanese action stars, and others—to Taiwan. 

To enhance the audience experience, this performance combines Broadway AR/VR stage technology, collaborating with multimedia creative teams from Taiwan and the United States. Through cutting-edge visual technology, it overcomes language barriers to present Taiwanese audiences with a groundbreaking theatrical experience, delivering an audiovisual sensation.

"We are very much looking forward to perfectly combining Taiwan's multimedia creative capabilities with Japanese performing arts. Through Taiwan's top-notch stage facilities and collaborating with creative teams from Japan and the United States, we will present Taiwanese audiences with an unprecedented stage visual experience, sparking unique brilliance." International Performing Arts Consortium Chairperson, Sophia Huang said.

Kamata March Finale: The Death of Gin is about to be staged before Taiwanese audiences. This classic work will surely add brilliant sparks to Taiwan's arts scene and is not to be missed.

 美國ODC舞團經典現代舞劇《愛的奇蹟：絨毛兔的奇幻之旅》將於2025/2026年度首次登台

社團法人國際舞台文化表演藝術交流協會引進，美國知名現代舞團ODC（奧柏林舞團）的經典舞劇《愛的奇蹟：絨毛兔的奇幻之旅》（The Velveteen Rabbit），將於2025/2026年度於高雄隆重上演。這是該劇自1986年創作以來，首次在台灣演出，為觀眾帶來一場充滿節日氛圍的藝術饗宴。

文化交流，共創藝術新篇

自1998年起，《愛的奇蹟：絨毛兔的奇幻之旅》每年在感恩節後的聖誕季節，於舊金山、加州矽谷及北加州等地上演，深受觀眾喜愛，至今已有25年歷史。此次，國際舞台文化表演藝術交流協會與ODC舞團合作，旨在促進美台兩國之間的舞蹈文化交流，展示現代舞的多元與創新。

理事長表示：「我們非常高興能將這部深具意義的作品帶到台灣。透過與ODC舞團的合作，不僅能提升台灣青少年舞者的國際視野與技術水平，還能為台灣觀眾帶來一場充滿節日氣息的藝術盛宴。」

培育本地藝術人才，推廣節日文化

此次演出特別邀請8位來自台灣皇家舞蹈學院的芭蕾舞學生（年齡介於10歲至15歲）參與。他們將經過三個月的密集訓練，與ODC的15位頂尖現代舞舞者同台演出。藉由台美舞者的合作，不僅提升了本地藝術人才的培育，更將具有濃厚節慶氛圍的經典故事引入台灣，豐富節慶的文化活動。

感人劇情，傳遞永恆愛的經典

《愛的奇蹟：絨毛兔的奇幻之旅》根據瑪格麗·威廉斯（Margery Williams）的經典兒童故事改編。透過音樂、舞蹈和演員/喜劇演員杰夫·霍伊爾（Geoff Hoyle）的精湛旁白，講述了一隻破舊的絨毛兔子玩偶，如何因為愛與陪伴，逐漸變為真正生命的感人故事。演出充滿詼諧幽默的服裝設計和充滿活力的角色表演，是一場適合全家觀賞的節日盛宴。

IPAC will collaborate with 《We Dance》 in the Bay Area, USA, to hold a dance retreat in 2025.  

The details will be announced soon.

In the 《We Dance》 retreat, professional dancers worldwide come together to dance. 

We share a belief that dance is not about age or experience. Dance is an art form that allows for a deep conversation with the soul, a language that communicates emotions through bodily movements.

We Dance is more than just a retreat; it is a family, a community of individuals ranging in age from 15 to 68. 

Here, every move is not just a display of technique but an exchange of souls. Through dance, everyone can reconnect with the inner child that the busyness of life has neglected.

Join us, and let's dance together. Whether you are a beginner or an experienced dancer, you will find your rhythm and create beautiful memories of your own with us. We believe that dance is not just physical exercise but an opportunity to connect with your inner child.

本會將與美國灣區《We Dance》合作於2025年舉辦舞蹈研習營，近期將會發表研習營細節。

在《We Dance》的研習營裡，世界各地的專業舞者攜手共舞。

我們共同擁有一個信念：舞蹈無關年齡，無關經驗。對我們來說，舞蹈是一種與靈魂深處對話的藝術，是一種透過肢體動作傳達情感的語言。

《We Dance》不僅是一個研習營，它是一個家庭，一個由15歲到68歲朋友們組成的大家庭。

在這裡，每一步舞動不僅是技巧的展現，更是心靈的交流。藉由舞蹈，每個人都能找回那個被忙碌生活遺忘的內心小孩，與之對話。

加入我們，讓我們一起跳舞。在《《We Dance》的研習營裡，無論是舞蹈的新手或是老手，都能找到屬於自己的節奏，共同創造屬於我們的美好回憶。我們相信舞蹈不僅是身體的運動更是靈魂的釋放。

IPACは、2025年にアメリカの《We Dance》と共同でダンスリトリートを開催します。 詳細は間もなく発表されます。 

《We Dance》のリトリートでは、世界中のプロのダンサーが一堂に会して踊ります。

ダンスは年齢や経験に関係ないという信念を共有しています。私達にとって、ダンスは自分の心の中にいるあの子との深い対話を可能にする芸術形態であり、身体の動きを通じて自分に感謝を伝える言葉です。 

《We Dance》は、リトリートだけではなく、15歳から68歳までの個人で構成される家族、コミュニティです。

ダンスを通じて、忙しい生活ですでに忘れた自分の心の中にいるあの子と繋ぎましょう。

《We Dance》のリトリートで初心者も経験豊富なダンサーも自分のリズムを見つけて一緒に美しい思い出を作ることができます。ダンスは単なる身体運動ではなく、自分の心の中にいるあの子と会話する時間です。

Breaking New Ground: AI-powered multimedia system that removes the block and bridges the world theater artistry. 

Today, the International Performing Arts Consortium (IPAC), led by Dr. Sophia Huang, has announced a groundbreaking new AI-based subtitle technology designed to remove language and cultural barriers in live theater. This new system, developed by Huang and her team, delivers real-time, context-sensitive subtitles for diverse audiences, from classic to contemporary performances.

Dr. Huang’s vision to integrate AI in theater focuses on amplifying accessibility by addressing the language and cultural barriers that often limit audience reach. “We believe technology can unlock new pathways in the arts, opening live performances to audiences who would otherwise miss these experiences,” Huang said.

With AI technology that incorporates the context and subtleties of live dialogue, IPAC’s subtitle team offers a sophisticated translation production system that adapts dynamically to each performance. This approach marks a shift from traditional subtitle systems, which typically remain static and detached from the unfolding narrative. IPAC’s system engages with live theater on a new level, offering audiences seamless, culturally resonant translations that enhance understanding and immersion.

Expanding Theaters' Reach in a Multilingual World

IPAC collaborates with theaters across the world, helping them utilize the subtitle technology within their live shows. From large venues to independent theaters, IPAC’s solution allows each performance to speak directly to a broader, more diverse audience, strengthening cultural inclusivity in the arts. The team’s system reflects not just the text but the performance’s context and emotion, offering a rich experience that extends the artistry of each show.

This technology is especially valuable in today’s increasingly globalized arts scene, where productions often draw interest from international audiences. By bridging linguistic divides, IPAC enables theaters to reach a growing audience base, expanding their mission to inspire and connect across cultures.

A New Standard for Inclusion in the Arts

Through its specialized storytelling subtitle team, IPAC is setting a new standard for accessibility in performing arts. This technology-driven approach reinforces Dr. Huang’s broader mission: to foster an environment where the performing arts are inclusive, allowing for a more connected and empathetic world. IPAC's subtitle system is about more than translation—it’s a commitment to universal engagement in the arts.

With Dr. Huang's leadership, the International Performing Arts Consortium is challenging traditional limits in theater accessibility, inspiring theaters to welcome a world of new audiences and making cultural exchange a natural part of every performance.

Source: 

https://money.theworldinsiders.com/news/international-performing-arts-consortium-announces-ai-enhanced-subtitles-to-bridge-cultural-gaps-in-live-theater/492487

Other mentions:

https://hollywoodinfive.com/news/international-performing-arts-consortium-announces-ai-enhanced-subtitles-to-bridge-cultural-gaps-in-live-theater/492487?fbclid=IwZXh0bgNhZW0CMTEAAR06lUGQZk8fWCbQlsuharRH5mcRPtDeQnvG1URH5sUDdxbcHY5kNS8jox0_aem_yAXyC1kdt1j7SihHnLlBTg

日本經典舞台劇《蒲田行進曲完結篇：銀之死》首度登台

由日本戲劇界重量級導演錦織一清執導的經典現代戲劇《蒲田進行曲完結篇：銀之死》，將於2025年10月首次在高雄登場，帶給觀眾一場深刻震撼心靈的藝術饗宴。這場演出不僅是對劇迷的重磅回饋，更將成為十月藝文界增添火花！

作為五、六年級台灣觀眾熟知的日本超級偶像以及日本戲劇界的知名導演，錦織一清以其獨特的戲劇視角和創意聞名，擁有超過40年的豐富舞台經驗。他的作品橫跨戲劇、舞台及電視，並以深刻刻畫人性、滿溢感動的表演風格，在國際間享譽盛名。

《蒲田進行曲完結篇～銀之死》以電影動作片明星生活為背景，講述了人性中的親情羈絆與堅韌。劇中透過情節緊湊的故事和深刻的角色描寫，探討了親人之間的犧牲與掙扎。2023年與 2024年的日本東京公演震撼了所有日本觀眾。

此次演出，由錦織一清大師親自執導，並將2023年以及 2024年的日本東京公演的原班人馬（包括動作明星春田純一、日本國寶級演員崛田晉三、大下順子、ＪＡＣ日本動作明星等）帶到台灣。為了提升觀眾體驗，本次演出結合了百老匯AR/VR舞台科技，攜手台灣和美國的多媒體創作團隊，透過最先進的視覺技術，克服語言障礙為台灣觀眾呈現突破傳統的戲劇體驗，帶來視聽震撼。

這場演出由社團法人國際舞台文化表演藝術協會主辦，協會理事長黃舒郁表示：「我們非常期待將台灣的多媒體創作實力與日本表演藝術完美結合。透過台灣頂尖的舞台設施，與日本及美國的創作團隊攜手合作，我們將為台灣觀眾呈現前所未有的舞台視覺體驗，激盪出獨特的火花。」

《蒲田進行曲完結篇：銀之死》即將在台灣觀眾面前上演，這部經典之作必將為台灣藝文界增添燦爛火花，不容錯過。

演出資訊

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Japanese Classic Stage Play "Kamata March Finale: The Death of Gin" Debuts in Taiwan

The classic modern drama Kamata March Finale: The Death of Gin, directed by the legendary Japanese theater director Kazukiyo Nishikori, will premiere in Kaohsiung in October 2025, bringing audiences a profoundly soul-stirring artistic feast. 

This performance is not only a significant return for theater fans but will also add sparks to the October arts scene!

Known to Taiwanese audiences born in the 1960s and 1970s as a Japanese super idol and a renowned director in the Japanese theater scene, Kazukiyo Nishikori is famous for his unique dramatic perspective and creativity, boasting over 40 years of rich stage experience. His works span drama, stage, and television, and he is internationally acclaimed for his profound depictions of human nature and emotionally moving performance style.

Kamata March Finale: The Death of Gin is set against the backdrop of an action movie star's life, depicting the bonds and resilience of family ties in human nature. Through a tightly woven storyline and profound character portrayals, the play explores the sacrifices and struggles between family members. The Tokyo performances in 2023 and 2024 profoundly impacted all Japanese audiences.

This time, the performance is personally directed by Master Kazukiyo Nishikiori, bringing the original cast from the 2023 and 2024 Tokyo performances—including action star Junichi Haruta, Japanese national treasure actors Shinzo Hotta, Junko Ooshita, JAC Japanese action stars, and others—to Taiwan. 

To enhance the audience experience, this performance combines Broadway AR/VR stage technology, collaborating with multimedia creative teams from Taiwan and the United States. Through cutting-edge visual technology, it overcomes language barriers to present Taiwanese audiences with a groundbreaking theatrical experience, delivering an audiovisual sensation.

"We are very much looking forward to perfectly combining Taiwan's multimedia creative capabilities with Japanese performing arts. Through Taiwan's top-notch stage facilities and collaborating with creative teams from Japan and the United States, we will present Taiwanese audiences with an unprecedented stage visual experience, sparking unique brilliance." International Performing Arts Consortium Chairperson, Sophia Huang said.

Kamata March Finale: The Death of Gin is about to be staged before Taiwanese audiences. This classic work will surely add brilliant sparks to Taiwan's arts scene and is not to be missed.

 美國ODC舞團經典現代舞劇《愛的奇蹟：絨毛兔的奇幻之旅》將於2025/2026年度首次登台

社團法人國際舞台文化表演藝術交流協會引進，美國知名現代舞團ODC（奧柏林舞團）的經典舞劇《愛的奇蹟：絨毛兔的奇幻之旅》（The Velveteen Rabbit），將於2025/2026年度於高雄隆重上演。這是該劇自1986年創作以來，首次在台灣演出，為觀眾帶來一場充滿節日氛圍的藝術饗宴。

文化交流，共創藝術新篇

自1998年起，《愛的奇蹟：絨毛兔的奇幻之旅》每年在感恩節後的聖誕季節，於舊金山、加州矽谷及北加州等地上演，深受觀眾喜愛，至今已有25年歷史。此次，國際舞台文化表演藝術交流協會與ODC舞團合作，旨在促進美台兩國之間的舞蹈文化交流，展示現代舞的多元與創新。

理事長表示：「我們非常高興能將這部深具意義的作品帶到台灣。透過與ODC舞團的合作，不僅能提升台灣青少年舞者的國際視野與技術水平，還能為台灣觀眾帶來一場充滿節日氣息的藝術盛宴。」

培育本地藝術人才，推廣節日文化

此次演出特別邀請8位來自台灣皇家舞蹈學院的芭蕾舞學生（年齡介於10歲至15歲）參與。他們將經過三個月的密集訓練，與ODC的15位頂尖現代舞舞者同台演出。藉由台美舞者的合作，不僅提升了本地藝術人才的培育，更將具有濃厚節慶氛圍的經典故事引入台灣，豐富節慶的文化活動。

感人劇情，傳遞永恆愛的經典

《愛的奇蹟：絨毛兔的奇幻之旅》根據瑪格麗·威廉斯（Margery Williams）的經典兒童故事改編。透過音樂、舞蹈和演員/喜劇演員杰夫·霍伊爾（Geoff Hoyle）的精湛旁白，講述了一隻破舊的絨毛兔子玩偶，如何因為愛與陪伴，逐漸變為真正生命的感人故事。演出充滿詼諧幽默的服裝設計和充滿活力的角色表演，是一場適合全家觀賞的節日盛宴。

IPAC will collaborate with 《We Dance》 in the Bay Area, USA, to hold a dance retreat in 2025.  

The details will be announced soon.

In the 《We Dance》 retreat, professional dancers worldwide come together to dance. 

We share a belief that dance is not about age or experience. Dance is an art form that allows for a deep conversation with the soul, a language that communicates emotions through bodily movements.

We Dance is more than just a retreat; it is a family, a community of individuals ranging in age from 15 to 68. 

Here, every move is not just a display of technique but an exchange of souls. Through dance, everyone can reconnect with the inner child that the busyness of life has neglected.

Join us, and let's dance together. Whether you are a beginner or an experienced dancer, you will find your rhythm and create beautiful memories of your own with us. We believe that dance is not just physical exercise but an opportunity to connect with your inner child.

本會將與美國灣區《We Dance》合作於2025年舉辦舞蹈研習營，近期將會發表研習營細節。

在《We Dance》的研習營裡，世界各地的專業舞者攜手共舞。

我們共同擁有一個信念：舞蹈無關年齡，無關經驗。對我們來說，舞蹈是一種與靈魂深處對話的藝術，是一種透過肢體動作傳達情感的語言。

《We Dance》不僅是一個研習營，它是一個家庭，一個由15歲到68歲朋友們組成的大家庭。

在這裡，每一步舞動不僅是技巧的展現，更是心靈的交流。藉由舞蹈，每個人都能找回那個被忙碌生活遺忘的內心小孩，與之對話。

加入我們，讓我們一起跳舞。在《《We Dance》的研習營裡，無論是舞蹈的新手或是老手，都能找到屬於自己的節奏，共同創造屬於我們的美好回憶。我們相信舞蹈不僅是身體的運動更是靈魂的釋放。

IPACは、2025年にアメリカの《We Dance》と共同でダンスリトリートを開催します。 詳細は間もなく発表されます。 

《We Dance》のリトリートでは、世界中のプロのダンサーが一堂に会して踊ります。

ダンスは年齢や経験に関係ないという信念を共有しています。私達にとって、ダンスは自分の心の中にいるあの子との深い対話を可能にする芸術形態であり、身体の動きを通じて自分に感謝を伝える言葉です。 

《We Dance》は、リトリートだけではなく、15歳から68歳までの個人で構成される家族、コミュニティです。

ダンスを通じて、忙しい生活ですでに忘れた自分の心の中にいるあの子と繋ぎましょう。

《We Dance》のリトリートで初心者も経験豊富なダンサーも自分のリズムを見つけて一緒に美しい思い出を作ることができます。ダンスは単なる身体運動ではなく、自分の心の中にいるあの子と会話する時間です。